Ellen Taaffe Zwilich Concerto for Clarinet and Chamber Orchestra Recording Inducted into the National Recording Registry

Ellen Taaffe Zwilich Concerto for Clarinet and Chamber Orchestra Recording Inducted into the National Recording Registry

A 2012 Delos recording of Ellen Taaffe Zwilich’s Concerto for Clarinet and Chamber Orchestra performed by David Shifrin and the Northwest Chamber Orchestra has been inducted into the National Recording Registry by the Library of Congress. Others among the 25 recordings included in the class of 2023 are “The Very First Mariachi Recordings,” “St. Louis Blues” by Handy’s Memphis Blues Band, Madonna’s “Like a Virgin,” and John Lennon’s “Imagine.” This year’s selections, announced on April 12, bring the number of titles on the registry to 625, a small portion of the national library’s vast recorded sound collection of nearly four million items.

As the Library of Congress announcement describes: “Composer Ellen Taaffe Zwilich had already written the first movement of this work when the terrorist attacks of 9/11 took place. Clarinetist David Shifrin leads the Northwest Chamber Orchestra on this live recording made in Portland, Oregon, in 2004. He and several members of the ensemble had performed its premiere a year earlier, and their feeling for it comes through in the buoyancy of the first movement, suggesting the hustle and bustle of a normal working day in New York City, and in the violence, anger and sorrow of the rest of the day expressed in the subsequent movements. The 2012 CD release of this performance, and its enduring impact and reputation, are singular for a 21st century classical recording.”

Read the Library of Congress announcement here.

Listen to Zwilich’s Concerto for Clarinet and Chamber Orchestra on YouTube here.

Abgang and Kaddish recives New York Premiere at Chamber Music Society of Lincoln Center

Abgang and Kaddish recives New York Premiere at Chamber Music Society of Lincoln Center

Abgang and Kaddish for Clarinet, Violin, Cello, and Piano had its New York premiere performance on Sunday, April 2, on a Chamber Music Society of Lincoln Center program titled “Celebrating Joseph Kalichstein and the KLR Trio.” David Shifrin, Jaime Laredo, Sharon Robinson, and Shai Wosner performed the work.

The program was originally to have featured the Kalichstein-Laredo-Robinson Trio, longtime friends and collaborators of Ellen’s. Joseph Kalichstein passed away in 2022.

Ellen’s program note for the piece said, “My first movement, Abgang, is based on two musical fragments. It begins with a quote of a Hebraic melody that Viktor Ullmann used as a basis for variations in his Piano Sonata No. 7 that he was working on while in Theresienstadt. Next is a short quote of a fox trot that was arranged by a composer (only identified by his prisoner-number) for performance in Auschwitz. What follows is a purely musical, but deeply personal exploration.

“After finishing the movement I felt it necessary to add a second movement, Kaddish, which is a prayer recited in mourning, without a single mention of death, but celebrating God, peace, and life. The Kaddish appears in the score and parts in an English translation (along with some Aramaic). It is not meant to be spoken or sung, but to guide the performers in giving meaning to the musical phrases.”

A video of the concert is available here for purchase until April 28, 2023, at 12:00 PM ET. Once purchased, the event will remain on demand until May 5, 2023, at 11:59 AM ET.

Ellen talks about her Symphony No. 1 with Melisse Brunet of the Lexington Philharmonic

Ellen talks about her Symphony No. 1 with Melisse Brunet of the Lexington Philharmonic

The Lexington Philharmonic performs Ellen’s Symphony No. 1 on February 18, 2023, on a program dubbed “Continuous Variation, [which] derives its name from a technique used by composer Ellen Taaffe Zwilich in her Symphony No. 1, a work which demonstrates the potential of a handful of ideas to develop into new material.”

The Lexington Philharmonic Music Director, Melisse Brunet, conducted a wide-ranging interview with Ellen; see it on the orchestra’s YouTube channel here.

More praise for Delos Zwilich disc

More praise for Delos Zwilich disc

Praise continues to roll in for the Delos recording of Ellen’s music. MusicWeb International’s review calls the Cello Concerto “exceptionally enjoyable, rich in diverse moods, glorious melodies, and catchy rhythms,” saying of the entire disc, “performances by soloists and orchestra are all one could wish for, and the sound quality is good.” The critic, David Barker, concludes by saying, “The Australian composer Graeme Koehne, whose music I love, has said that ‘music which does not set out to entertain often ends up being boring’. He clearly has a soulmate in Ellen Taaffe Zwilich. On the basis of this excellent recording, I will be seeking out more of her music.”

You can read the entire review here.

Kevin Filipski writes in The Flip Side, “Ellen Taaffe Zwilich writes music of bountiful imagination, and this disc of several orchestral works cements her reputation as among our very best contemporary composers.” Read the review here. And Phil’s Reviews for the Atlanta Audio Club says, “In the works heard on this album she reveals her mastery of all the elements that make for great music, including color, form, texture, and movement.” Read the review here.

ZKM of Karlsruhe Interview - part of "Femmes4Music"

ZKM of Karlsruhe Interview - part of "Femmes4Music"

ZKM, the Center for Art and Media Karlsruhe, has featured Ellen in its “Femmes4Music” series, with a video interview and playlist. “Gramophone Magazine lists Ellen Taaffe Zwilich in an August 2022 article on the 10 must-hear women composers. The explanation for this is: ‘A prolific figure, Zwilich’s compositions range from large-scale symphonies to solo works. The works are regarded for their vigour, assertiveness and ability to challenge both the performer and audience.’”

See the full digital feature here.

Delos recording of Ellen's music wins praise

Delos recording of Ellen's music wins praise

“A cello concerto by Ellen Taaffe Zwilich (b.1939) was always going to be big news,” says The Strad magazine in its review of the Delos recording of Ellen’s works, praising “this sassy, jazzy work in which Zwilich’s hallmark propulsive energy in passages of incisively bowed syncopated semiquavers, alternates with moments of profound calm. The orchestration is original and very effective, with the solo cello … dialoguing with different instruments, and sounding particularly effective when playing in its uppermost reaches, above high violins, at the start of the third movement.”

The review continues, “The tightly worked Prologue and Variations (1983) shows a particular affinity for the string-orchestra medium, and the Romance, for the composer’s own instrument, is beautifully characterised by concertmaster Joseph Edelberg.”

Read the full review here.

"Ellen Taaffe Zwilich - Cello Concerto & Other Works" is a new Delos release

"Ellen Taaffe Zwilich - Cello Concerto & Other Works" is a new Delos release

A new disc of Ellen’s music including the debut recording of her Cello Concerto (2020), performed by soloist Zuill Bailey and the Santa Rosa Symphony led by its music director, Francesco Lecce-Chong, is a new release from Delos Records, available September 16, 2022. The recording also features three of the composer’s popular works: Peanuts® Gallery for piano and orchestra (1996), featuring soloist Elizabeth Dorman; Romance for Violin and Chamber Orchestra (1993), featuring soloist Joseph Edelberg; and Prologue and Variations for String Orchestra (1983).

See/order the recording on the Delos page here.

Ellen in a Gramophone Magazine "10 Female Composers" list

Ellen in a Gramophone Magazine "10 Female Composers" list

Ellen is featured a June 2022 article from Gramophone magazine, “10 female composers whose music you need to hear” - “A prolific figure, Zwilich’s compositions range from large-scale symphonies to solo works. The works are regarded for their vigour, assertiveness and ability to challenge both the performer and audience.”

Read the full article here.

BMI 2022 Student Composer Awards Announced by Ellen Taaffe Zwilich

BMI 2022 Student Composer Awards Announced by Ellen Taaffe Zwilich

The BMI Foundation, in collaboration with BMI, has announced seven young classical composers, ages 19 to 28, as winners of the 70th annual BMI Student Composer Awards. This year’s ceremony was held yesterday at Tribeca 360 and winners were announced by the Chair of the BMI Student Composer Awards, Ellen Taaffe Zwilich.

“Celebrating these young composers is the highlight of our year at BMI Classical,” said Deirdre Chadwick, President of the BMI Foundation. “As emerging artistic voices, it’s so important for them to receive recognition and encouragement, and we are thrilled to honor their achievements.”

The 2022 award winners are:

  • Cheng Jin Koh, 26 - Awarded the William Schuman Prize for most outstanding score; Student of Elizabeth Hoffman at New York University

  • Oliver Kwapis, 25 - Student of Jeffrey Stolet at Oregon University School of Music and Dance

  • Alan W. Mackwell, 24 - Student of John McDonald at Tufts University

  • Abel M.G.E., 28 - Student of Julian Anderson

  • Sehyeok (Joseph) Park, 19 - Student of Abigail Richardson-Schulte at the University of Toronto; Awarded the Carlos Surinach Prize honoring the youngest winner of the competition

  • Nina Shekhar, 27 - Student of Donnacha Dennehy at Princeton University

  • Kari Watson, 24 - Student of Augusta Read Thomas at the University of Chicago

Read the full report here.

BMOP Ellen Taaffe Zwilich Portrait Concert Garners Rave Reviews

BMOP Ellen Taaffe Zwilich Portrait Concert Garners Rave Reviews

On April 8, Boston Modern Orchestra Project (BMOP) presented its “Ellen Taaffe Zwilich Portrait Concert” featuring four of Ellen’s orchestral works: Upbeat! (1998), Concerto Elegia for flute and orchestra (2015), Commedia dell’Arte for violin and orchestra (2012), and Symphony No. 5 (2008). The reviews are in:

“It may still be true that many listeners know more about Zwilich’s accomplishments than her music, but it’s high time for that to change. Fortunately, BMOP recorded the concert for release on its in-house label BMOP/sound; unfortunately, we’ll all have to wait till 2023 to hear it. Until then, go to YouTube, pick one, and hit play.” -A.Z. Madonna, The Boston Globe (Click here to read)

“After the sudden death of her husband, the violinist Joseph Zwilich, in 1979, composer Ellen Taaffe Zwilich began moving away from harsh, atonal sonorities to a lyrical style balancing light and darkness. Where other composers might wall off joy from sorrow and laughter from tears, Zwilich poignantly offers both at once.” -Aaron Keebaugh, Boston Classical Review (Click here to read)

“Though Taaffe Zwilich’s music relies heavily on contrasts among different instruments, rhythms, dynamics. and styles, it achieves these juxtapositions in a melodic yet refreshingly modern manner. The well-deserved applause for BMOP and its dedicatee honored both one of the leading interpreters of contemporary music and a composer thereof.” -Stephanie Oestreich, Boston Musical Intelligencer (Click here to read)

Boston Modern Orchestra Project Presents "Ellen Taaffe Zwilich Portrait Concert" on April 8, 2022

Boston Modern Orchestra Project Presents "Ellen Taaffe Zwilich Portrait Concert" on April 8, 2022

Boston Modern Orchestra Project (BMOP) presents an “Ellen Taaffe Zwilich Portrait Concert” featuring three of Ellen’s more recent orchestral works: Concerto Elegia for flute and orchestra (2015), Commedia dell’Arte for violin and orchestra (2012), and the Symphony No. 5 (2008). The 2020 BMOP-NEC composition competition winner, Lavell Blackwell, will have his Effleurage premiered by BMOP to open the concert.

“As BMOP kicks off its extended 2022-2023 Quarter-Century Celebration season, this return to historic Jordan Hall and portrait concert of an icon of American symphonic composition is not one to be missed.”

See the concert page here.

The Kalichstein-Laredo-Robinson Trio Talks About  Working with Ellen

The Kalichstein-Laredo-Robinson Trio Talks About Working with Ellen

The Chamber Music Society of Lincoln Center hosted an online talk with the famed Kalichstein-Laredo-Robinson Trio in which host James Thompson talked with Joseph Kalichstein, Jaime Laredo, and Sharon Robinson about their four-decade career: working together, collaborating with others, teaching, recording, and playing new music.

Ellen, who has written six works for members of the trio, is interviewed about them, and Joseph Kalichstein, who describes their relationship with Ellen as “like [that of] Oistrakh and Prokofiev,” talks about how receiving “each new piece [of hers] is like adding a member to the family.”

Watch the talk here; Ellen’s appearance is at the 1:01 mark.

Dallas Morning News, Dallas/Fort Worth NBC preview "Remembering Ruth Bader Ginsburg"

Dallas Morning News, Dallas/Fort Worth NBC preview "Remembering Ruth Bader Ginsburg"

The Dallas Morning News and the Dallas/Fort Worth NBC affiliate previewed the October 7 premiere of Remembering Ruth Bader Ginsburg with features that included interviews with the event’s principals, including Ellen. As NBCDFW quoted, “‘Act II is about all she tried to do to change things,’ Zwilich said. ‘She stopped knocking on bolted doors and started knocking them down. It’s all very active, getting rid of the dropped ceilings, the bolted doors and then helping women down from the pedestals.’”

Read the Dallas Morning News feature by Tim Diovanni here.

Read the NBCDFW feature by Kimberly Richard here.

Ellen, Denyce Graves, and Jeffrey Biegel talk about "Remembering Ruth Bader Ginsburg" with Dallas Symphony

Ellen, Denyce Graves, and Jeffrey Biegel talk about "Remembering Ruth Bader Ginsburg" with Dallas Symphony

The Dallas Symphony Orchestra hosted a Zoom talk with Ellen, mezzo-soprano Denyce Graves, and pianist Jeffrey Biegel about the upcoming October 7 premiere of Remembering Ruth Bader Ginsburg. DSO VP of Artistic Operations Katie McGuinness leads the conversation about Jeffrey Biegel’s inspiration for the work, the text by Lauren Watel and how Ellen shaped the piece, and Denyce Graves’s friendship with Justice Ginsburg.

See the talk here.

"Good Going Ellen" Peanuts cartoon on view at the Charles M. Schulz Museum

"Good Going Ellen" Peanuts cartoon on view at the Charles M. Schulz Museum

On October 13, 1990, much to Ellen’s amazement, the Peanuts cartoon strip was all about her. Ellen became good friends with Charles and Jean Schulz, and in 1997 Ellen wrote the piano concerto Peanuts Gallery inspired by the iconic Peanuts gang.

The strip that inspired it all is currently on view at the Charles M. Schulz Museum’s Strip Rotation Gallery, through November 8, along with its story:

“Charles M. Schulz referenced many empowered women in the Peanuts comic strip, including Billie Jean King, Farrah Fawcett, Cheryl Tiegs, and Peggy Fleming. One inspiration for two strips, a daily strip and a Sunday strip both on display in this exhibition, was Ellen Taaffe Zwilich, the first woman composer to be awarded a Pulitzer Prize for Music. Born in 1939 in Miami, Florida, Zwilich attended The Juilliard School for music in 1975, and was also the first woman ever to receive a degree in Doctor of Musical Arts.

“Schulz heard about Zwilich through The MacNeil/Lehrer NewsHour in 1990 and incorporated her into a Peanuts comic strip on October 13, 1990, which can be seen in this exhibition and on the back of this handout. The initial strip led to a friendship between the two, and in 1997 Zwilich composed a 13-minute piano concerto inspired by the Peanuts Gang.”

Read the full story here.